About The Artist
Otis Ray Redding, Jr. (September 9, 1941 – December 10, 1967) was an American soul singer. According to the website of the Rock and Roll Hall of Fame (where he was inducted in 1989), Redding's name is "synonymous with the term soul, music that arose out of the black experience in America through the transmutation of gospel and rhythm and blues into a form of funky, secular testifying.
Early life
Redding was born in the small town of Dawson, Georgia. At the age of 5, he moved with his


in the choir of the Vineville Baptist Church, and became somewhat of a local celebrity as a teenager after winning a local Saturday morning talent show at the Douglass Theatre 15 weeks in a row. The recording artists who were his biggest early influences were fellow Macon artist, Little Richard and Sam Cooke. In 1966, he was quoted as saying, "If it hadn't been for Little Richard, I would not be here. I entered the music business because of Richard - he is my inspiration. I used to sing like Little Richard, his Rock 'n' Roll stuff, you know. Richard has soul, too. My present music has a lot of him in it."
Career
In 1960, Redding began touring the South with Johnny Jenkins and The Pinetoppers, primarily as the group's driver. That same year he made his first recordings, "Fat Gal" and "Shout Bamalama" with this group under the name "Otis Redding and The Pinetoppers" Issued on the Orbit and Confederate record labels before being picked up by King.
In 1962, Redding made his first real mark in the music business during a Johnny Jenkins session when, during studio time left over, he recorded "These Arms of Mine", a ballad that he had written. The song became a minor hit on Volt Records, a subsidiary of the renowned Southern soul label Stax, based in Memphis, Tennessee. His manager was a fellow Maconite, Phil Walden (who later founded Capricorn Records). Redding was also managed for a brief period by Walden's younger brother Alan Walden while Phil was overseas due to a military draft. Otis Redding continued to release for Stax/Volt, and built his fan base by extensively touring a live show with support from fellow Stax artists Sam & Dave. Further hits between 1964 and 1966 included "Mr. Pitiful", "I Can't Turn You Loose" (which was to become The Blues Brothers entrance theme music), "Try a Little Tenderness" (a remake of the 1930s standard by Harry Woods, Jimmy Campbell, and Reg Connelly, later featured in John Hughes' film Pretty in Pink), "(I Can't Get No) Satisfaction" (written by Mick Jagger and Keith Richards of the Rolling Stones), and "Respect" (later a smash hit for Aretha Franklin).
Redding wrote many of his own songs, which was unusual for the time, often with Steve Cropper (of the Stax house band Booker T. & the M.G.'s, who usually served as Otis's backing band in the studio). Soul singer Jerry Butler co-wrote another hit, "I've Been Loving You Too Long". One of Redding's few songs with a significant mainstream following was "Tramp," (1967) a duet with Carla Thomas).
In 1967, Redding played at the Monterey Pop Festival, which helped him to break into the white pop music scene.
Death
On December 9, 1967, Redding and his backup band, The Bar-Kays, made an appearance in Cleveland, Ohio on the local "Upbeat" television show. The next afternoon, Redding, his manager, the pilot, and four members of The Bar-Kays were killed when his Beechcraft 18 airplane crashed into Lake Monona in Madison, Wisconsin, on December 10, 1967. The two remaining Bar-Kays were Ben Cauley and James Alexander. Cauley was the only person aboard Redding's plane to survive the crash. Alexander was on another plane, since there were eight members in Redding's party and the plane could only hold seven, and it was Alexander's turn in the rotation to take a commercial flight. Cauley reported that he had been asleep until just seconds before impact, and recalled that upon waking he saw bandmate Phalon Jones look out a window and say, "Oh, no!" Cauley said the last thing he remembered before the crash was unbuckling his seatbelt. He then found himself in the frigid waters of the lake, grasping a seat cushion to keep afloat.
Redding's body was recovered the next day when the lake bed was searched. The cause of the crash was never precisely determined. He was entombed on his private ranch in Round Oak, Georgia, 23 miles (37 km) north of Macon.
In 1975, Macon Mayor Ronnie Thompson, a fellow musician and a friend of Redding's, commissioned Redding's portrait. The acclaimed picture went missing in 2007 during the transition between Mayors C. Jack Ellis and Robert Reichert. Former Mayor Ellis disclosed that the painting had been packed up with the rest of his office. It has since been returned to the city of Macon.
Posthumous releases
"(Sittin' On) The Dock of the Bay" was recorded only three days before Redding's death. According to Nashid Munyan, curator of the Stax Museum of American Soul Music, Redding considered the song unfinished, having whistled the tune of one verse for which he intended to compose lyrics later. The song was released (with the place-holding whistling intact) in January 1968 and became Redding's only number-one single on the Billboard Hot 100, and the first posthumous single in U.S. chart history. "(Sittin' On) The Dock of the Bay" was a significant stylistic departure from the bulk of his previous work, and might have presaged a change in direction for the singer.
Shortly after Redding's death, Atlantic Records, distributor of the Stax/Volt releases, was purchased by Warner Bros. Stax was required to renegotiate its distribution deal, and found that Atlantic actually owned the entire Stax/Volt back catalog. Stax was unable to regain the rights to their recordings, and severed their relationship with Atlantic. Atlantic also retained the rights to all unreleased Otis Redding masters.
Redding had recorded a massive amount of material in late 1967 just before his death (it was from these sessions that "(Sittin' On) The Dock of the Bay" emerged). Atlantic had enough material for three new Redding studio albums - The Immortal Otis Redding (1968), Love Man (1969), and Tell the Truth (1970) - which were all issued on Atlantic's Atco Records. A number of successful singles emerged from these LPs, among them "Amen" (1968), "Hard to Handle" (1968), "I've Got Dreams to Remember" (1968), "Love Man" (1969), and "Look at That Girl" (1969). Singles were also lifted from two live Atlantic-issued Redding albums, In Person at the Whisky a Go Go, recorded in 1966 and issued 1968 on Atco, and Monterey International Pop Festival, a Reprise Records release featuring the live Monterey Pop Festival performances of The Jimi Hendrix Experience on side one and Redding on side two.
Fa-Fa-Fa-Fa-Fa (Sad Song)
fa fa fa fa fa fa fa fa fa
fa fa fa fa fa fa fa fa
I keep singin them sad sad song yall,
Sad song is of all I know.
I keep singin them sad sad song yall,
Sad song is all I know.
It has a sweet melody, tonight,
anybody can sing it, any all time
It got to your heart, put you in a groove,
and when you sing this song, it will make your whole body move
it goes
fa fa fa fa fa fa fa fa fa
Your turn
Ill turn
fa fa fa fa fa fa fa fa
Your turn now
All my life Ive been singin them sad song
trying to get my message to you.
But you see, only song yall, I can sing
and when I can you singing, my message will be to you
It goes
fa fa fa fa fa fa fa fa fa
Your turn now
Its a lovely song yall,
Sweet music honey,
It feels to life over,
It tells a story over,
You got to get your message
A stone message honey
A lovely line baby
Ive been wanting a line..watch it
fa fa fa fa fa fa fa fa fa
Your turn
Everybody its good
Everybody
fa fa fa fa fa fa fa fa fa
One more time
fa fa fa fa fa fa fa fa
Throw me the line yall
fa fa fa fa fa fa fa fa fa